TIMBLR
This blog consists of all my artwork, as well as the work as others, and some miscellaneous throughout. I'm currently working on a much cleaner blog of only my artwork, but it's taking time (and energy, I'm way too lazy) to update it with all my past work. All links are to tags of this blog for right now.
Email: TimFedermann@hotmail.com
See only:
my artwork
my skateboards (except a few posts)
W.U.a.S.S.C. (my collaborative comic)
my collages
my art blog-in-progress
Germany-based artist Iris Schieferstein creates these unique and unusual shoes from dead animal parts combined with other materials. (via Iris Schieferstein)
39 notes (via saintstigersloversart & fullbloom)
The Legendary Platypus Dancer
59” x 8.5” ; 48” Wheelbase
Finally Starting on my longboard, and I’m having trouble deciding on a wheelbase… The whole thing will probably be 48” long though.
a stretch we learned at church camp (◕‿◕✿)
same
And this is why no one can take Christians seriously anymore.
I learned something very similar at my camp!
It’s just proof that He must be real that we learned the same stretches!Praise Him!
Doing this forever and ever
72,996 notes (via ves-jetot-mir & glamydia)
In 1996, Tracey Emin lived in a locked room in a gallery for fourteen days, with nothing but a lot of empty canvases and art materials, in an attempt to reconcile herself with paintings. Viewed through a series of wide-angle lenses embedded in the walls, Emin could be watched, stark naked, shaking off her painting demons. Starting by making images like the artists she really admired (i.e. Egon Schiele, Edvard Munch, Yves Klein), Emin’s two-week art-therapy session resulted in a massive outpouring of autobiographical images, and the discovery of a style all her own. The room was extracted in its entirety, and now exists as an installation work.
(Source: cum-shot)
5,637 notes (via mydarling & cum-shot)
Rene Magritte - Love Disarmed, 1935
Probably my favorite painting of all time.
Roy Lichtenstein (b. 1923, New York; d. 1997, New York)
Man with Folded Arms, 1962
Oil on canvas
70 x 48 1/2 in.
The Museum of Contemporary Art, Los Angeles
The Panza Collection
